Otho thought about those few words, and his wanderlust flared. "A few adventures, huh? A woman alone. Hundreds of miles to travel on foot. Had to have been a few tribes between here and there who didn't like strangers or liked woman travelers the wrong way."
Wren smiled. "You climbed on the big boats and traveled across the ocean and yet you want to hear my little stories of walking and hiding and being hungry." She had the bartender bring them cool water and a wash cloth and put the wet cloth on his jaw. "Snow would be better, but this will help." She examined the jaw. "Not broken. Relax. Let your body heal a little, and I'll get you home."
"What about your business?"
"I'm done here. Now you're my business. You didn't think this was free did you?"
Otho leaned away from her. "So I'm just business to you?"
"You're business." She smiled. "But I like you. Like a son. I trust you too. For you, my price is a favor I will name later."
"What did I walk into back there?"
"The house you describe is protected by the Fox.”
“Who is the Fox?”
She ignored the question. “Why did they want their conversation to remain secret? I don't know. So many currents flow under the surface here. Your world brought its quarrels here. Your army and navy strive against one another. Your rivals in your old world, the English and Germans and Spanish; they all need or want something here.”
“How do you know about that?”
“I listen. The people you call Karankawas have their own rivalries and on top of them you pile the striving of the new ways against the old, of those who want all of you gone so the deer and fish will be many again against those who love the new ways. The young find freedom in the Wiki-up District, while their parents see only loss and shame there. Those with power in the Wiki-up District fear this part of Jamestown. They fear that the Fox will find ways of making them pay, like the bars and the whores of Jamestown pay." She dipped the wash cloth in the water again and reapplied it. "The waters here are deep and dangerous, but for those who float on the top they are just water. Do your job. Drink your beer. Find a young woman--for a night if you must, for love and forever if you can. Float, and don't worry about what swirls beneath you."
The Bureau of Timeline Integrity’s Midwest office stood six stories, a pygmy among the office buildings surrounding Oakbrook Mall in the middle ring of Chicago suburbs. It discreetly bore the bureau’s logo.
Scott barely noticed the handful of demonstrators near BTI’s underground garage, a tiny remnant of the thousands that gathered there when the portals opened seven years ago. As he drove his four-year-old green Chevy past them, they chanted, “Close the Portals! Timeline X for the Indians!” A tall bearded guy brandished a sign that read, “Jesus Died For TimeLine X Too!”Bill Dickey brought their drinks. “Did I hear the word scandal?”
“Probably,” Scott said.
“I told you she was trouble. You’ve been here twice, so you’re regulars. Any time you want to get drunk and tell me your darkest secrets, I’m here for you.”
“We’ll keep that in mind,” Scott said. He gestured to the stage. “No ‘UDE’ girls.”
“You’re not drunk enough to appreciate the girls I get here,” Bill said. “Speaking of deep, dark secrets, when are they going to bring oil through the Portals?”
“Hopefully never.”
Bill grinned. “Ah, tree hugger. Leave the Indians alone? Well your money spends as well as anyone's, but remember, screwing over Indians made this country great.”
“That's one way of looking at it.”
Bill stretched his long arms. His shirt rode up, revealing a pot belly. “We're a plague of locusts, all of us, Americans and Europeans, Asians. We eat the land bare. Stop moving and we starve to death. Now we have the portals—a whole new world to ravage. We're a Biblical plague. No use pretending we aren't.” He strolled away, grinning. I don't usually like reality TV, but I stumbled across a show I find fascinating. National Geographic has a reality show that follows the activities of the fifty or so Navajo policemen who patrol the Navajo reservation, a 27,000+ square mile area that is home to over three hundred thousand Navajo Indians. Very interesting show. The cops ride around in very modern-looking police cars, with guns and radios and all of the accoutrements, busting drug dealers and dealing with the local gangbanger wannabes. Navaho gangbangers. The mind boggles, though I guess it shouldn't. This is a very different culture, with the local tough guys standing there hanging their heads as their tiny grandmother lay into them for bringing shame to the family.
Navajo cops also investigate, in all seriousness, reports of creatures that are apparently out of traditional Navajo beliefs, like Skinwalkers (a kind of shape-shifter, like a werewolf) and Howlers.
They have to work around strong Navjho taboos against handling the dead, taboos that may partly account for the fact that Navajo population grew from around 4000 at first European contact to over 300,000 now, a growth that is unique among North American Indian tribes.
This is not a wealthy culture, but it is an interesting one, growing fast and showing few signs of assimilating into one of the American mainstreams. It would be interesting to set a story in a realistic-as-I-could-make-it Navajo country of a hundred years in the future. Of course that would involve building the world that surrounded them to some extent, and it would take a LOT of research on the tribe itself, but it would be interesting to project how much the Navajo future differs from the future of the rest of the country.
To slightly adapt something Kij Johnson said at one of her workshops, too many times when we look at the future we just see white guys. Hopefully there will be quite a few of us around, but I suspect that there will quite a few Navajo around too, and it would be interesting to explore their potential role.
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